Tindexcornertop
List of all Relations in this Text

«Artist-Musicians, Musician-Artists»
People
Adu Sade (Chap. 6), Albertine Viv (Chap. 5, 4), Almond Marc (Chap. 4), Anderson Laurie (Chap. 4), Ant Adam (Chap. 4, 5), Barson Mike (Chap. 4, 5), Boy George (Chap. 4), Busoni Ferruccio (Chap. 2, 3), Butzmann Frieder (Chap. 4), Byrne David (Chap. 4), Cage John (Chap. 3), Cale John (Chap. 3), Callis Jo (Chap. 5, 4), Chance James (Chap. 4, 5), Chrislo (Chap. 4), Cocker Jarvis (Chap. 6), Conrad Tony (Chap. 3), Cunningham Merce (Chap. 3), Dahn Walter (Chap. 4), Eno Brian (Chap. 5), F. Christiane (Chap. 4), Foxx John (Chap. 4, 5), Gordon Kim (Chap. 4), Gotobed Rob (Chap. 5, 4), Graham Dan (Chap. 4), Gut Gudrun (Chap. 6), Günther Emanuel (Chap. 5), Harvey PJ (Chap. 6, 4), Jelinek Robert (Chap. 5), Kandinsky Wassily (Chap. 2), Kelley Mike (Chap. 4), Kern Richard (Chap. 4), Klee Paul (Chap. 2, 4), Kurokawa Ryoichi (Chap. 6), Leckey Mark (Chap. 5), Leigh Michael (Chap. 3), Leonardo da Vinci (Chap. 1), Lewis Graham (Chap. 4, 5), Logic Lora (Chap. 4, 5), Luhmann Niklas (Chap. 1), M.I.A. (Chap. 6), Matlock Glen (Chap. 4), McLaren Malcolm (Chap. 4), Melián Michaela (Chap. 6), Mooner (Chap. 5), Moorman Charlotte (Chap. 3), Müller Wolfgang (Chap. 4), Nico (Chap. 3), Nicolai Carsten (Chap. 5), Oehlen Albert (Chap. 4), Oehlen Markus (Chap. 4), Paik Nam June (Chap. 3), Pettibon Raymond (Chap. 4), Pflumm Daniel (Chap. 5), Piatti Ugo (Chap. 3), Pomassl Franz (Chap. 4), Prince Richard (Chap. 4), Rauschenberg Robert (Chap. 3), Reed Angie (Chap. 5), Reid Jamie (Chap. 4), Richter Hans (Chap. 2), Russolo Luigi (Chap. 3), Schifferle Klaudia (Chap. 4), Schleime Cornelia (Chap. 4), Schönberg Arnold (Chap. 2), Shaw Catriona (Chap. 5), Smith Patti (Chap. 4, 5), Stein Chris (Chap. 5, 4), Strummer Joe (Chap. 4), Vega Alan (Chap. 5, 4), Warhol Andy (Chap. 3, 4), Westwood Vivienne (Chap. 4), Weymouth Tina (Chap. 4), Wilson Tom (Chap. 3), Young La Monte (Chap. 3), alva noto (Chap. 5), noto (Chap. 5)
Socialbodies
Adam and the Ants (Chap. 5, 4), Alternative Turner Prize (Chap. 6), American Symphony Orchestra (Chap. 3), Arnold-Schönberg-Center (Chap. 2), Artforum (Chap. 4), Berne Music Society (Chap. 2), Blondie (Chap. 4, 5), Botschaft e. V. (Chap. 5), Bow Wow Wow (Chap. 4), CBGB (Chap. 4), Casino of Authenticity and Karaoke (Chap. 4), Central Saint Martins College of Art and Design (Chap. 6), Chicks on Speed (Chap. 5), Chicks on Speed Records (Chap. 5), Club le Bomb (Chap. 5), Craft rec. (Chap. 5), Der Blaue Reiter (Chap. 2), Destroy All Monsters (Chap. 4), Die Hornissen (Chap. 4), Die Tödliche Doris (Chap. 4), E.A.T. – Experiments in Art and Technology (Chap. 3), Einstürzende Neubauten (Chap. 4), Elektro (Chap. 5), Elektro Music Department (Chap. 5), Erkrankung durch Musique (Chap. 5), Festival genialer Dilletanten (Chap. 4), Fluxus (Chap. 4, ), Franz Ferdinand (Chap. 6), Freiwillige Selbstkontrolle (Chap. 6), Geile Tiere (Chap. 4), German-American-Friendship (Chap. 4), Goldsmith College (Chap. 4), Hochschule der Künste (Chap. 6), Human League (Chap. 4, 5), Jack Too Jack (Chap. 5), Kleenex (Chap. 4), LiLiPUT (Chap. 4), Madness (Chap. 5, 4), Malaria! (Chap. 6), Mania D (Chap. 6), Mittagspause (Chap. 4), Monika Records (Chap. 6), Pulp (Chap. 6), Sabotage Communications (Chap. 5), Sabotage Rec. (Chap. 5), Salomé and Luciano Castelli (Chap. 4), Seppi Bar (Chap. 5), Sex (Chap. 4), Sex Pistols (Chap. 4), Slits (Chap. 4, 5), Soft Cell (Chap. 4), Sonic Youth (Chap. 4), Städelschule (Chap. 5), Subetage Rec. (Chap. 5), Suicide (Chap. 4, 5), Talking Heads (Chap. 4), The Clash (Chap. 4), The Factory (Chap. 3), The Velvet Underground (Velvet Underground) (Chap. 3), Theatre of Eternal Music (Chap. 3), Ultravox (Chap. 4, 5), Vierte Wurzel aus Zwitschermaschine (Chap. 4), Wire (Chap. 4, 5), X-Ray Spex (Chap. 4, 5), Zentrum für Kunst und Medientechnologie Karlsruhe (Chap. 4), documenta 7 (Chap. 4), documenta 8 (Chap. 4), donAteller (Chap. 5), noton.archiv für ton und nichtton (Chap. 5), raster-noton. archiv für ton und nichtton (Chap. 5)
Mentioned
9 Evenings (Theatre and Engineering) (Chap. 3), Baden-Baden (Chap. 6), Ballet of Natural Disasters (Chap. 4), Death Valley ’69 (Chap. 4), Dirty (Chap. 4), Do You Want To (Chap. 6), Exploding Plastic Inevitable (Chap. 3), Fiorucci Made Me Hardcore (Chap. 5), Fugue in Red (Chap. 2), Föhrenwald (Chap. 6), Goo (Chap. 4), Impression III (Concert) (Chap. 2), Impressions and Phantasies (Chap. 2), Intonarumori (Chap. 3), Los Angeles (Chap. 6), Manifesto dell’ Arte dei Rumori (Chap. 3), O Superman (Chap. 4), Panorama II (Chap. 6), Parallel Head (Chap. 6), Rheo (Chap. 6), Rhythm (Chap. 2), Shallow 1-21 (Chap. 4), Sketch of a New Aesthetic of Music (Chap. 3), Sonic Nurse (Chap. 4), String Quartet op. 10 (Chap. 2), The Art of Noises (Chap. 3), The Flicker (Chap. 3), The Twitter-Machine (Chap. 4), The Velvet Underground and Nico (Chap. 3), United States (Chap. 4), White Framed Polyphonically (Chap. 2)
Keywords
Entgrenzung (Chap. 1, 2, 3, 4, 6), Minimalismus (Chap. 5), Performativität (Chap. 3), Polysensualität (Chap. 4), Verräumlichung (Chap. 5), Verzeitlichung (Chap. 6), Zufallsverfahren (Chap. 3), club culture (Chap. 1, 5), counterpoint (Chap. 2), indeterminism (Chap. 3), montage (Chap. 5), polyphony (Chap. 2), universalism (Chap. 2)
Timespans
1900 – 1930, 1910 – 1970, 1970 – 2000, 1990 – 2000, ab 2000

Tindexcornerbottom