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Abstract

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Literature

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by Axel Stockburger

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People

Socialbodies

Workdescriptions from this text

Electroplankton

Rez

fijuu

List of all Relations in this Text

SCHLIESSEN

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Works

Electroplankton, Rez, fijuu

People

Acorn Al (Chap. 1), Betts Tom (Chap. 6), Chion Michel (Chap. 4.2, 1, 4.1), Clark Andrew (Chap. 4.2), Fujihata Masaki (Chap. 7), Furukawa Kiyoshi (Chap. 7), Gibbons Scott (Chap. 7), Iwai Toshio (Chap. 5.2, 5), Kent Steven L. (Chap. 1), Leandre Joan (Chap. 6), Levin Golan (Chap. 7), Münch Wolfgang (Chap. 7), Olivier Julian (Chap. 7, 6), Pias Claus (Chap. 1), Pickles Steven (Chap. 6), Shakar Gregory (Chap. 7), pix (Chap. 7)

Socialbodies

ASCII Corporation (Chap. 5), Acornsoft (Chap. 2), Ars Electronica Festival (Chap. 7), Atari (Chap. 2, 1), Harmonix (Chap. 5.1), Konami Corporation (Chap. 4.1), Massachusetts Institute of Technology (Chap. 1), Maxis (Chap. 5.2), Microsoft Corporation (Chap. 3), Midway Games Inc. (Chap. 2), NanaOn-Sha (Chap. 5.1), Nintendo (Chap. 3, 5.2, 5.1), Sony (Chap. 4.2, 3), id Software (Chap. 6)

Mentioned

Amiga 1000 (Commodore Amiga 1000) (Chap. 2), Amplitude (Chap. 5.1), Audiovisual Environment Suite (AVES) (Chap. 7), Discs of Tron (Chap. 2), Elite (Chap. 2), FreQuency (Chap. 5.1), Gran Turismo (Chap. 4.2), Guitar Hero (Chap. 5.1), Metal Gear Solid (Chap. 4.1), Otocky (Chap. 5), PaRappa the Rapper (Chap. 5.1), PlayStation 2 (PS2) (Chap. 3), Pong (Chap. 1, 2), QQQ (Chap. 6), Quake III Arena (Quake 3) (Chap. 6), Rhythm Tengoku (Chap. 5.1), Rockband (Chap. 5.1), Scribble (Chap. 7), SimTunes (Chap. 5.2), Small Fish (Chap. 7), Small Fish Tales (Chap. 7), Space Invaders (Chap. 2), Spacewar (Chap. 1), Super Nintendo Entertainment System (Super Nintendo, Super NES) (Chap. 3), Vib-Ribbon (Chap. 5.1), X-Box (XBox) (Chap. 3), q3apd (Chap. 6), retroYOU r/c (Chap. 6)

Keywords

Algorithmus (Chap. 7), Entgrenzung (Chap. 5, 6), Intermodale Analogie (Chap. 5.1), Performativität (Chap. 6, 7), Polysensualität (Chap. 1, 4.1, 5.1), Verzeitlichung (Chap. 4.2), notation (Chap. 7), participation (Chap. 6), rhythm (Chap. 4, 5, 5.1), sampling (Chap. 2), synchronicity (Chap. 4), synthesis (Chap. 2, 5.2)

Timespans

1960 – 1980, 1970 – 1990, 1990 – 2000, ab 1990, ab 1990, ab 1990, ab 1980, ab 1990, ab 1990, ab 1990, ab 1999

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COMPENDIUM

ESSAYS

MISC.

EXHIBITION

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