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Sound-Image Relationships in Literature

by Claudia Albert

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Works
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Workdescriptions from this text
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Fluss ohne Ufer

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Rameau’s Nephew

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Un coup de dés

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«Sound-Image Relationships in Literature»
Works
Fluss ohne Ufer, Rameau’s Nephew, Un coup de dés
People
Apollinaire Guillaume (Chap. 2), Bachmann Ingeborg (Chap. 3), Baudelaire Charles (Chap. 1), Berglinger Joseph (Chap. 1), Diderot Denis (Chap. 1), Dürer Albrecht (Chap. 1), Florestan Rudolf (Chap. 1), Frenhofer (Chap. 1), Gambara (Chap. 1), Grillparzer Franz (Chap. 1), Hoffmann E. T. A. (Chap. 1), Jahnn Hans Henny (Chap. 3), Jandl Ernst (Chap. 2), Kreisler Johannes (Chap. 1), Mallarmé Stéphane (Chap. 2, 1), Mann Heinrich (Chap. 2), Mozart Wolfgang Amadeus (Chap. 3), Rilke Rainer Maria (Chap. 2), Rimbaud Arthur (Chap. 1), Roderer Friedrich (Chap. 1), Roderer Susanne (Chap. 1), Rühm Gerhard (Chap. 2), Schnitzler Arthur (Chap. 3), Schumann Robert (Chap. 3), Sternbald Franz (Chap. 1), Sterne Laurence (Chap. 2), Stifter Adalbert (Chap. 1), Tieck Ludwig (Chap. 1), Verlaine Paul (Chap. 1), Wackenroder Wilhelm Heinrich (Chap. 1), de Balzac Honoré (Chap. 1), van Beethoven Ludwig (Chap. 3), von Fricken Ernestine (Chap. 3)
Socialbodies
Akademie der Bildenden Künste München (Chap. 3), Deutsche Forschungsgemeinschaft (German Research Foundation, DFG) (Chap. 3), Freie Universität Berlin (FU Berlin) (Chap. 3), George-Kreis (Stefan-George-Kreis, George-Circle) (Chap. 3), Typografie und Literatur (Typographie and Literature) (Chap. 3), Zentrum für Kunst und Medientechnologie Karlsruhe (Chap. 3)
Mentioned
Art poétique (Chap. 1), Calligrammes (Chap. 2), Carnaval (Chap. 3), Correspondances (Chap. 1), Das Füllhorn (Chap. 2), Fräulein Else (Chap. 3), Herzensergießungen eines kunstliebenden Klosterbruders (Chap. 1), Malina (Chap. 3), Nachkommenschaften (Chap. 1), The Life and Opinions of Tomcat Murr (Chap. 1), Tristram Shandy (Chap. 2), Voyelles (Chap. 1)
Keywords
Bewußtseinserweiterung (Chap. 1), Entgrenzung (Chap. 1, 2), Intermedialität (Chap. 2, 3), Materialität (Chap. 2, 3), Wechselspiel der Künste / Paragone (Chap. 1), notation (Chap. 3), polyphony (Chap. 1), synthesis (Chap. 3), universalism (Chap. 1)
Timespans
1770 – 1880, ab 1600, ab 1920

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