Epileptic Seizure Comparison, Totaltheater, Vortex

Antonioni Michelangelo (Chap. 2), Baranoff-Rossiné Wladimir (Chap. 1), Belson Jordan (Chap. 2, 1), Conrad Tony (Chap. 3), Constant (Chap. 2), Debord Guy (Chap. 2), Deleuze Gilles (Chap. 2), D’Almeida Neville (Chap. 3), Fuller Loïe (Chap. 1), Fuller Richard Buckminster (Chap. 2), Gibson Sandra (Chap. 4), Godard Jean-Luc (Chap. 2), Gropius Walter (Chap. 1), Hirsh Hy (Chap. 2), Jacobs Henry (Chap. 2), Köner Thomas (Chap. 4), Malanga Gerard (Chap. 3), McCall Anthony (Chap. 4), McClure Bruce (Chap. 4), McDonald Scott (Chap. 2), Moholy-Nagy László (Chap. 2, 1), Oiticica Hélio (Chap. 3), Oldenburg Claes (Chap. 3), Piscator Erwin (Chap. 1), Reble Jürgen (Chap. 4), Recoder Luis (Chap. 4), Rhodes Lisa (Chap. 3), Rimington Alexander Wallace (Chap. 1), Rossellini Roberto (Chap. 2), Rubin Barbara (Chap. 4), Schneemann Carolee (Chap. 3), Sharits Paul (Chap. 3), Sitney P. Adams (Chap. 2), Smith Harry (Chap. 2), Superstar Ingrid (Chap. 3), Taut Bruno (Chap. 1), Vanderbeek Stan (Chap. 3), Warhol Andy (Chap. 3), Wilfred Thomas (Chap. 1), Youngblood Gene (Chap. 2)

American National Exhibition (Chap. 2), Bop City (Chap. 2), Charles and Ray Eames (Chap. 2), International Building Trade Exhibition. Leipzig (Chap. 1), Morrison Planetarium (Chap. 2), Movie-Drome (Chap. 3), ONCE Group (Chap. 3), Situationist International (Chap. 2), The Velvet Underground (Velvet Underground) (Chap. 3)

Alchemy (Chap. 4), Black & Blue – Yellowed (Chap. 4), CC5 Hendrix-War (Chap. 3), Christmas on Earth (Chap. 4), Clavilux (Chap. 1), Dynamics of the City (Chap. 1), Exploding Plastic Inevitable (Chap. 3), Ghost Rev (Chap. 3), Glimpses of the U.S.A. (Chap. 2), Gyromorphosis (Chap. 2), Hurlements en faveur de Sade (Chap. 2), Lichtspiel Schwarz-Weiß-Grau (Chap. 2), Light Music (Chap. 3), Light-Room-Modulator (Chap. 2, 1), Line Describing a Cone (Chap. 4), Moneyhouse (Chap. 3), Monument to Iron (Chap. 1), New Babylon (Chap. 2), Shutter Interface (Chap. 3), Simultaneous or Polycinema (Simultancinema, Polycinema) (Chap. 1), The Flicker (Chap. 3), Unmarked Interchange (Chap. 3)

Flicker (Chap. 3), Immersion (Chap. 2), Performativität (Chap. 1, 3, 4), Polysensualität (Chap. 3), Verräumlichung (Chap. 2, 4), club culture (Chap. 4)

1890 – 1950, 1940 – 1960, 1960 – 1980, ab 1970