9/23/69: Experiment with David Atwood, Model 5, Violin Power

Abe Shuya (Chap. 3), Atwood David (Chap. 3), Beck Stephen (Chap. 3), Brown George (Chap. 6), Etra Bill (Chap. 4), Hentschläger Kurt (Chap. 7), Hill Gary (Chap. 4, 1, 5), Langheinrich Ulf (Chap. 7), Moorman Charlotte (Chap. 3), Paik Nam June (Chap. 3, , 1, 2, 4, 5), Rutt Louise (Chap. 4), Rutt Steve (Chap. 4), Sandin Dan (Chap. 1), Schier Jeffrey (Chap. 6), Sherman Tom (Chap. 7), Siegel Eric (Chap. 3), Stout David (Chap. 7), Sweeney Skip (Chap. 2), Takeya Akemi (Chap. 7), Vasulka Steina (Chap. 5, 7, ), Vasulka Woody (Chap. 6, 4, ), Yalkut Jud (Chap. 5)

Experimental Television Center (Chap. 3), Galerie Parnass (Chap. 5), Granular Synthesis (Chap. 7), Sony (Chap. 1), Steina and Woody Vasulka (Chap. 1, 5, 2, 3, 4), The Beatles (Chap. 3), WGBH (Chap. 3)

Demagnetizer (Chap. 2), Digital Image Articulator (Chap. 6), Direct Video Synthesizer (Chap. 3), Electronic Video Synthesizer (Chap. 3), Full Circle (Chap. 5), Global Groove (Chap. 3), Heraldic View (Chap. 5), How TV Works (Chap. 1), Image/ine (Chap. 7), Noisefields (Chap. 4), Paik/Abe Video-Synthesizer (Chap. 2, 3), Picture Story (Chap. 4), Portapak (Chap. 1), Rutt/Etra Scan Processor (Chap. 4, 2), Signalfire (Chap. 7), Soundgated Images (Chap. 5), Soundsize (Chap. 5), TV Cello (Chap. 3), Video Commune: Beatles from Beginning to End – An Experiment for Television (Chap. 3), Vocabulary (Chap. 4)

Algorithmus (Chap. 6), Entgrenzung (Chap. 5), Materialität (Chap. 4, 5, 7), Performativität (Chap. 3, 7), Polysensualität (Chap. 4, 5, 7), Simultaneität (Chap. 1, 2), Verzeitlichung (Chap. 3), drawn sound (Chap. 3), modulation (Chap. 2, 3, 4, 6), sampling (Chap. 6, 7), synchronicity (Chap. 1, 2), synthesis (Chap. 1, 3, 5, 7)

1960 – 1980, 1960 – 1980, 1960 – 1970, 1970 – 1980, 1960 – 1980, 1980 – 1990, ab 1990