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Audiovisual Live Performance

by Amy Alexander

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242.Pilots: Live in Bruxelles

Peep Delish: VJ Miixxy—a Selection of Works

The Nature of Being

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SCHLIESSEN

«Audiovisual Live Performance»

Works

242.Pilots: Live in Bruxelles, Peep Delish: VJ Miixxy—a Selection of Works, The Nature of Being

People

Abe Shuya (Chap. 3), Beck Stephen (Chap. 3), Bush George H. W. (Chap. 4), Fry Ben (Chap. 7), Greenewalt Mary Elizabeth Hallock (Chap. 1), Griffiths Dave (Chap. 7), HC Gilje (Chap. 6), Kurokawa Ryoichi (Chap. 6), Mink Olga (Chap. 6), Paik Nam June (Chap. 3), Puckette Miller (Chap. 7), Reas Casey (Chap. 7), Ulto Melissa (Chap. 5), VJ Miixxy (Chap. 8, 5), VJ Oxygen (Chap. 6), Wilfred Thomas (Chap. 1)

Socialbodies

242.pilots (Chap. 6), Coldcut (Chap. 4), Cycling ’74 (Chap. 7), Duvet Brothers (Chap. 4), Emergency Broadcast Network (Chap. 4), Gorilla Tapes (Chap. 4), JazzMutant (Chap. 8), MTV (Music Television) (Chap. 5), NewTek (Chap. 4), OMA International (Chap. 7), Pioneer Entertainment, Inc. (Chap. 7), Queen (Chap. 4), Single Wing Turquoise Bird (Chap. 2), Steina and Woody Vasulka (Chap. 3), U2 (Chap. 4), UC Berkeley Center for New Music and Audio Technology (Chap. 5), Zoo TV Tour (Chap. 4)

Mentioned

DVJ-1000 (Chap. 7), DVJ-X1 (Chap. 7), Eyesweb (Chap. 7), Flash (Chap. 7), Gem (Chap. 7), Illuminated Music (Chap. 3), Jitter (Chap. 7), Lemur (Chap. 8), Max/MSP/Jitter (Chap. 7), Modul8 (Chap. 7), Onyx (Chap. 7), Paik/Abe Video-Synthesizer (Chap. 3), Pd (Pure Data) (Chap. 7), Processing (Chap. 7), Tagtool (Chap. 7, 8), VJamm (Chap. 7, 4), Video Toaster (Chap. 4), We Will Rock You (Chap. 4), Wii (Chap. 8), vvvv (Chap. 7)

Keywords

Entgrenzung (Chap. 6), Materialität (Chap. 7), Performativität (Chap. 1, 5, 6, 8), Polysensualität (Chap. 1), Realtime (Chap. 4, 5, 7, 8), Simultaneität (Chap. 2), club culture (Chap. 5, 6), generative Verfahren (Chap. 3, 5), improvisation (Chap. 5), modulation (Chap. 3), montage (Chap. 4, 5), rhythm (Chap. 4), synthesis (Chap. 3, 8)

Timespans

1720 – 1960, 1960 – 1970, 1970 – 1990, 1980 – 2000, ab 1990, ab 2000, ab 2000, ab 2000

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Audiovisual Live Performance